Mga Pahina

Sabado, Disyembre 19, 2015

ALDUB: A Critical Analysis (For academic purposes only)

I tried analyzing this phenomenal love team and kalyeserye based on the following critical theories:

 a.      Marxist
·         The base of Marxism is the relationship between the classes. Example is the employee/employer relationship that can be seen on the role of Lola Nidora and Yaya Dub. The kalyeserye also shows the wealthy (ruling class) vs. the poor (working class) based on the following instances:
o   Lola Nidora vs Yaya Dub, this can be seen at the start of the kalyeserye, even before the love team of Alden and Yaya Dub, Yaya Dub needs to follow Lola Nidora because first and foremost Lola Nidora is her employer. Yaya Dub also has an “utang na loob” because Lola Nidora serves as her grandmother after her parents left her under Lola Nidora’s care. In return, it is now her responsibility to take care of the old lady and follow her wishes, because she knows that “Lola Nidora only wants the best for her”. These reasons, in a way affect every decision she does and will do in her life.
o   Lola Nidora vs Alden, starting the day Alden announce his intention to court Yaya Dub, Lola Nidora became the upper hand, because Alden needs her permission in almost everything that concerns Yaya Dub which is under her care and also her employee.
o   Lola Bhabha vs Lola Nidora, when Lola Nidora was informed that she is indebted to Lola Bhabha and Lola Bhaba can get the Explorers’ mansion anytime she wants, the situation was reversed. Now, Alden with his Lola Bhabha is the ruling class.
·         The idea is a reflection of reality
o   The main idea that makes it successful is their digital relationship, their interaction via the digital screen which represents the age we are in. Where instant relationships via email, Skype or dating websites are becoming the norm in finding true love. Also, for OFW and their love ones who are communicating via the internet.
·         Places reality over idealism
o   The tamang panahon tagline shows this. Despite their mutual understanding, the reality is they still haven’t met each other personally (initially). However, it can also be said that idealism are also shown in the show because they are trying to show the audience of the supposed right ways and right time for everything.
·         It gives insight into everyday life
o   The dubmash phenomena, the instant relationship, the digital advantages and boundaries are all tackled in this kalyeserye.
b.      Feminist
·         Female characters prevail in the series. Male characters are short-lived except to Alden.
·         The Explorer sisters: Lola Nidora, Tidora and Tinidora are all accomplished and happy even without a man in their life.
·         Yaya Dub is the first one to like Alden. However, because she is a girl and a Filipina, it is Alden who needs to woe her. Gender roles are clearly defined in the kalyeserye. Lola Nidora is a typical conservative grandmother with lots of reminders to Yaya Dub. Despite of living in the city and already in the modern times, duties are assigned by gender. Alden should court Yaya Dub because he is the guy. He needs to follow Lola Nidora because she is like the grandmother of Yaya Dub. Lola Nidora as an elderly lady needs to be prim and proper and Yaya Dub is expected to follow her example. 
·         The joke of Lola Tidora (Paolo Ballesteros) on the bouquet of flowers being a baby can be a maternal instinct from the character he is playing which is an elderly lady. Even though simple explanations can be rendered such as because of the shape of the bouquet which is similar to a baby, being affectionate to a newborn child is a trait of a woman.

c.       Structuralist
Cultural practices can be seen in ALDUB such as Filipino customs, traditions and beliefs. According to de Saussure, words, he says exist primarily in relation to one another, before they exist in relation to an object. The word ALDUB is the combination of ALDEN and YAYA DUB, their relation to one another as a love team is the first thing that comes to mind rather than their individual identity or real identity.

d.      Postmodern
ALDUB in a way is like a repetition of the formula of Cinderella, Be Careful with my Heart of Sir Chief and Maya and the likes. It has a light and feel good feeling. Its simplicity and "go with the flow" formula were also great additions. ALDUB is commodified and consumed; the ALDUB NATION is a result of that, having a large following currently makes them top endorsers of leading products. Even politicians use their name. Any connection to them connotes opportunities and anything they represent shows success.

e.       Postcolonial
The way we love the mestizo features of Alden Richards in a way show our post colonial mentality. Frankie, a rich guy in love with Yaya Dub also shows an interesting characteristic. He loves to wear designer clothes with big names on it like Channel, Guess, and the likes. He represents the way we like the American brands which is also related to our colonial mentality.

Additional observation: Wordplay was used to its highest form, creating new words, new identities and new meanings. Such as kalyeserye (street series), Lola Nidora (grandmother of Dora) which is originally from the show Dora the Explorer. As I remember, it started with Doktora the Explorer, which later gave birth to the Explorer sisters, Doris and other characters.